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| Pic unrelated, but funny. |
(This is a link heavy blog post, full of links to youtube music. Just so you know; who knows, maybe you'll find some new stuff you like)
So I've always listened to music when writing. Heck, even right now I switched off my
podcast to
listen to music instead so I could churn this sucker out. For me, I
can't write unless I have some sort of music playing in the background. Maybe it's an ADD thing, maybe it's an imagination boosting thing, maybe it's habit by this point; who knows. I do know several
other authors who don't listen to
any music when they write, and
others that (like me) have to listen to music when they write, so it seems to be a mixed bag.
On the same vein of "mixed bag,"
what people listen to and whether or not it has to relate to what they are writing seems to vary as well.
Brandon Sanderson listens to all sorts of stuff when writing his books (techno, video game music, etc.) that isn't necessarily related to what he's writing about.
Jason, as mentioned above, tends to listen to
whimsical stuff that relates to his writing, and it
has to be related for him to successfully write.
Myself, I'm sort of a mixed bag. I do have a few "rules:" 90% of the time the song can't have singing or words, because then I get too invested in the lyrics rather than actually writing. I also try and pick soundtracks that relate to the subject matter at hand, and then pick particular tracks relevant to the scene, though that isn't necessary. For example,
I'll pick a creepy song for a creepy scene, but it isn't necessary. I tend to mostly listen to video game soundtracks, as for some reason movie soundtracks draw me out of my writing.
I also avoid repeats across books. I make iTunes playlists for each book I write (and then never delete them because I find it entertaining to go back and remember what I listened to), and there is hardly ever any crossover. This is usually because if I listen to a song I used on a previous book, it triggers that Pavlovian response to write
those characters and
that setting, rather than the one I'm in. Music has to always draw me
into writing in order for it to work for me, which essentially makes almost every song or soundtrack a one-time-use affair.
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For fun, here's a list of what I listened to when writing a handful of my novels, with links. It's interesting to see how my tastes have changed, as well as how the different sounds completely changed the style of the book.
Lacrymosa - I wrote most of this book on my LDS mission, which means most of the background noise was the Mormon Tabernacle Choir, predominantly
this song because it's awesome. When I got home and finally finished it, it was mostly
Rhapsody of Fire and
Dragonforce. This is really the only book that broke the "no lyrics" rule, which is probably why the book is awful.
Harbinger - This book is some weird fantasy western vampire angel hybrid abomination, and it didn't really have a defined soundtrack in retrospect. I did listen to
this little western number from
Cowboy Bebop, if only because 1. It's from the best episode of any anime, ever and 2. It's the only western song I could think off the top of my head. Whatever else I listened to has been lost to the passing of time, which is probably for the best. Oh wait, I did listen to
the opening song of Fight Club a lot for some reason. Man, that movie is awesome.
Where Gods and Mortals Dance - Ah, here is where things get interesting. This was almost 100% Epica's
The Score, specifically
Unholy Trinity. Now, I'm honestly not the biggest fan of Epica, but this album was a purely orchestral release of their previous songs, and it worked pretty well. I also hit up a decent chunk of
Final Fantasy Tactics, which also sort of fits the mood of the book (heavy political fantasy). Overall, it was mostly mellow, fantasy-sounding tracks, which makes sense given how the book pans out.
Paradise Seekers - Haibane Renmei.
Lots of Haibane Renmei because,
damn is that some quality music. Also the book drew (very obvious) inspiration from the show, so I guess it fits. I also listened to
Within Temptation's Utopia single about twenty billion times (
all three versions), again breaking my "no words" rule. For some reason that song didn't bug me. Oh, and
Nightwish's The Escapist, because it has the actual phrase "Paradise Seeker" in it that made me want to use it in some book. Please don't sue,
Nightwish.
The Might of the Steelgods - This one was a total mixed bag, and I honestly don't remember most of it. I think it was mostly
Super Meat Boy for some weird reason. I also had a mix of
Lost Odyssey in there, as well as selections from most
Final Fantasy games. Oh, and
Shadow of the Colossus. Lots of that.
Effulgent Corruption - This book took like seven months, so I went through a
lot of music. It was about this time I discovered the
Game of Thrones TV show, which was fantastic, so I listened to
lots of that soundtrack (and
remixes). Then I discovered
Nier (which is another dark, depressing fantasy story so hey, it fit) and listened to
boatloads and
boatloads of
that. I also hit up a little bit of the
Gladiator soundtrack for a phase, though it was mostly
Nier and
Game of Thrones.
The Gears of Anbar - This one was supposed to be some weird steampunk fantasy hybrid, but mostly it was me listening to
Within Temptation's Iron about a billion times. Which, again, broke the "no lyrics" rule but hey...that song is a lot like
Gears of Anbar. About war and being tempered and...ok I have no idea what this song is actually about but it has a kicking beat. I also did
loads of the
Bastion soundtrack, which has a sort of western/steampunk vibe to it. Pretty good stuff.
Death's Aria - Still writing this, but it also has a rather extensive soundtrack. I revived
Nier for whatever reason, probably because I love the music. In fitting with it's gothic theme I've done a lot of
Bloodrayne: Betrayal (a game which I don't own because the game was awful but the soundtrack is pretty good). I've also put some
Castlevania: Symphony of the Night on there
since, you know, more gothicy stuff.
Nightwish's newest album, Imaginarium, only has about two tracks on it I like but the orchestration-only tracks on the special edition make great writing music for this book. Which I can't link to because technically it isn't out in the US except on digital copies. Oh well. Lastly, for the tense scenes, we are
Binding of Isaac all over this place, as it fits wonderfully.
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Thanks for bearing with me. Hopefully you found some new music to listen to while you write. What do you listen to when you write? Do you listen to anything? Do you even
like music?
